Dammit. I Done Went and Vid-Meta'd: POV. What Is It Good For?
Lots and lots of talk about POV today. I am not in a very vid meta-y place and for once this is a very good thing. I will say this:
Most songs that have lyrics already have a Point of View. As a vidder - it is up to you to determine how this will be interpreted. "I" and "you" lyrics of course can be easy indicators of this to your audience - but not always necessary. The point of view does not have to be a particular character. The POV can be God. Or a group of people. Or a bracelet. Or a sword. Or as Luminosity once memorably remarked when we were discussing a potential vid that I will still do to the Angel episode "Sleep Tight": "It is from the diaper's POV!"
Whatever it is - it is very important. Not to the audience - either they get it or they don't. Make peace with that now. Establishing where you are approaching this vid is important for *you* as a vidder. It gives you something to cling to. It gives you something to build around. It gives you a vehicle to drive the message home and to give meaning to your vid.
Is this vid going to be first person singular? It is. Okay - will we see the character talking? We will. Cool. Alright - will this be a tight first person vid? Will the vid only show the moments in canon that the narrator has witnessed? Or does he know everything? Is the POV first person omniscient?
And so on and on and on... the questions never stop because until you have a clear view regarding what your song is about (and the point of view of the song is one of those absolute core things that you just have to know. It doesn't have to be what the singer intended. It has to be what you know in your heart that this song is really and truly about) then your vid won't know what it is about, either.
And we can use these things and toy with them within the vid to greater highlight what we are doing. Will everyone notice? Nope. Maybe 2 people will notice. But a lot of the audience will get it subconsciously, but that is how most of us incorporate and distill information anyway, so YAY!
The song is your blueprint. Seriously. Blueprint. It gives you everything. If it doesn't and you can't mix it up enough or cut it or whatever to make it what you need? Then you are suffering from poor song choice my friend and there is nothing that can be done to save you. Trust me. It happens. I should post an example. I don't want to post an example cause then you will all know that I suck, but I should post an example.
POV - point of view - is the delivery mechanism. This is how you get whatever it is that you want to get across, across. Does it have to be a conventional POV? NO - but it has to *exist* - it has to be there otherwise you just get a bunch of pretty pictures that ultimately mean nothing.
And I said I wasn't gonna get into the vid meta and dammit. It is just... look - most people watching your vids are not gonna think twice about "Well whose POV is this?" anymore than most people reading your fic are gonna say "Aw man, I hate stories told in second person!" This is because most people just do not stop and think about everything. Some do.
So - some people are gonna read a story and comment that it had POV problems. Other people are gonna read it and say "Eh, I didn't like it" and that is that. Same for vids. The numbers are a bit more skewed but trust me. Subconsciously is the total way to go.
Most songs that have lyrics already have a Point of View. As a vidder - it is up to you to determine how this will be interpreted. "I" and "you" lyrics of course can be easy indicators of this to your audience - but not always necessary. The point of view does not have to be a particular character. The POV can be God. Or a group of people. Or a bracelet. Or a sword. Or as Luminosity once memorably remarked when we were discussing a potential vid that I will still do to the Angel episode "Sleep Tight": "It is from the diaper's POV!"
Whatever it is - it is very important. Not to the audience - either they get it or they don't. Make peace with that now. Establishing where you are approaching this vid is important for *you* as a vidder. It gives you something to cling to. It gives you something to build around. It gives you a vehicle to drive the message home and to give meaning to your vid.
Is this vid going to be first person singular? It is. Okay - will we see the character talking? We will. Cool. Alright - will this be a tight first person vid? Will the vid only show the moments in canon that the narrator has witnessed? Or does he know everything? Is the POV first person omniscient?
And so on and on and on... the questions never stop because until you have a clear view regarding what your song is about (and the point of view of the song is one of those absolute core things that you just have to know. It doesn't have to be what the singer intended. It has to be what you know in your heart that this song is really and truly about) then your vid won't know what it is about, either.
And we can use these things and toy with them within the vid to greater highlight what we are doing. Will everyone notice? Nope. Maybe 2 people will notice. But a lot of the audience will get it subconsciously, but that is how most of us incorporate and distill information anyway, so YAY!
The song is your blueprint. Seriously. Blueprint. It gives you everything. If it doesn't and you can't mix it up enough or cut it or whatever to make it what you need? Then you are suffering from poor song choice my friend and there is nothing that can be done to save you. Trust me. It happens. I should post an example. I don't want to post an example cause then you will all know that I suck, but I should post an example.
POV - point of view - is the delivery mechanism. This is how you get whatever it is that you want to get across, across. Does it have to be a conventional POV? NO - but it has to *exist* - it has to be there otherwise you just get a bunch of pretty pictures that ultimately mean nothing.
And I said I wasn't gonna get into the vid meta and dammit. It is just... look - most people watching your vids are not gonna think twice about "Well whose POV is this?" anymore than most people reading your fic are gonna say "Aw man, I hate stories told in second person!" This is because most people just do not stop and think about everything. Some do.
So - some people are gonna read a story and comment that it had POV problems. Other people are gonna read it and say "Eh, I didn't like it" and that is that. Same for vids. The numbers are a bit more skewed but trust me. Subconsciously is the total way to go.
no subject
In the past, I've had several discussions with several vidders about POV, some of them enlightening and some of them, well, not so much. Some vidders have said to me that their vids have no POV. I've been tempted to say "and how!" A vid needs a POV. It doesn't *have* to be first person or second or third or whatever, but it has to be consistent. That doesn't mean that you can't switch POV's in midstream. You can, but you have to be clear and consistent. CONSISTENT. If you don't have a POV, even a third person omniscient one, you only have a string of cute little clips with nothing for the viewer to grab onto. [rant]Vidding is fun for the whole family and all, but there are rules of design and composition, and you can only break them with impunity if you know how to follow them first. [/rant]shutting up now
no subject
But does the POV have to be one initiated by the vidder? Could it instead exist just via what the audience brings to the vid and not also as an organizing construct used by the vidder to create the vid?
no subject
Okay - you guys are totally overthinking this, okay?
Yes - what the audience brings to the table is important. But that has nothing to do with what you put on that table to begin with. You have to have intent when you vid - you have to know what is going on.
Now - I don't mean that you have to always *know* what you are doing while you are vidding and be able to articulate it with *words* - of course not. If we could *say* it we wouldn't *vid* it.
But somewhere - you know. You do have an organizing concept and *that* is your POV. Trust me - this is not complicated. POV *is* the delivery mechanism. I don't mean you can't have a fluid POV that starts out very narrow and then widens, this is not meant to limit you. But without a point of view, you are just throwing random clips at the timeline.
So yeah - an audience might be able to eke out a meaning from those random clips but much like a Rorschach ink blot - people can do that for anything.
no subject
::squint:: character v. vidder POV you mean?
no subject
http://www.livejournal.com/users/permetaform/288863.html
no subject
I have no idea what this means. I suspect that y'all are using the term POV and applying it willynilly and this is part of the problem.
POV is Point of View. The person who determines what a vid's Point of View will be is the vidder as the vidder is God for that vid. The vidder can establish a firm first person POV and that is then a CHARACTER'S POV or an OMNISCIENT third person POV where the narrator is unseen and all knowing. Many universe vids (like End of the World as We Know It) are Omniscient Third Person POV.
Sometimes you can play with a first person POV in a vid and either strictly stick with *just* what that person knows or you can open it up and for this one time and one time only - your first person characer knows everything and you have an Omniscient First Person POV. In the case of "Without You I'm Nothing" the vid starts out as a narrow First Person POV (Lex) and in the course of the vid he deduces and figures out things he shouldn't know or see (in canon) only to LOSE it at the end. His memories are ripped away along with his knowledge and his hope. Does it matter to me that most viewers do not get that was my intent? Not at all. Most viewers get what they bring to the vid but that does not affect the actual POV of the vid. That is their watching experience.
In that vid I played with POV and I did so deliberately. This is not meant to limit you. If you have an organizing concept - THAT is POV. That is all POV is. You are just calling it something else. This is semantics.
no subject
On of the definitions, though, and not the most popular usage of it in the fandom and school circles that I've been mostly moving around in, with perhaps the exception of vidding fandom where I got totally confused.
Does it matter to me that most viewers do not get that was my intent? Not at all. Most viewers get what they bring to the vid but that does not affect the actual POV of the vid. That is their watching experience.
::nodnodnod:: that's what I was talking about in my post that I linked to too. I'm saying in it that I don't call vid or vidder's POV "Point of View", I call it authorial intent because to call it Point of View implies narrative.
If you have an organizing concept - THAT is POV. That is all POV is. You are just calling it something else. This is semantics.
Exactly, it *is* semantics, and I argued in the post I linked to that it's important to distinguish it because calling it POV when the term itself is both confusing and restricting is sometimes not so good.
no subject
I've not seen any of your vids where I'd have to question the POV, so I wonder if we're not talking at cross purposes here--or maybe there's a semantic issue. Maybe my take on the POV isn't what you meant (I've long considered Lucky to be from the tape's POV *g*), but you *have* one in every vid.
I don't think that one can ignore the need for POV--at least as a starting point. The vids I've seen where POV is too liquid--to the point of not being there at all really--may be pretty, may have pretty music, but they are not memorable (Okay, I remember *one* and I'm not going to embarrass this now-great vidder by bringing it up) and they are not *good*.
no subject
yes! I talked about this more here, but in essence I'm saying that the being responsible for your interpretation should be called something less laden with arbitrary restrictions that could hinder vid-making. A non-narrative vid is no less valid than a narrative one, and vice versa; there just has been less people able to make a non-narrative vid, and it seems like from what I've seen of a couple people's vidding patterns that the people with the most potential of developing a *good* non-narrative style mostly started making narrative vids, which is saddening.
I've not seen any of your vids where I'd have to question the POV, so I wonder if we're not talking at cross purposes here
=D There you go! The POV is brought by the audience; the most and fastest progress I've made on my vids were either before I started worrying about POV (Why, The Fragile) or when I gave up on it all-together (Hero), every other vid stalled until I literally gave up on them; it's perhaps telling that the vids I was stalled longest on is After Midnight (my Saiyuki vid) and Gravity (my PotC vid), both fandoms which I cared the most about and was most loathe to give up on.
The vids I've seen where POV is too liquid--to the point of not being there at all really--may be pretty, may have pretty music, but they are not memorable
ah, no...see, those are just bad vids. They probably didn't have enough room for the audience to extrapolate in, or they didn't have intent.
And yes, I *am* arguing semantics, because words have power and defining things locks away some meaning. By calling authorial intent 'POV' restricts the vidder to thinking about the vid in strict narrative terms, which is at times inhibiting and non-condusive to creativity.